关于画家The Artist
师古而不泥古，写意花鸟为主，兼工山水。Rooted in tradition without being bound by it — chiefly xieyi flower-and-bird painting, with landscape as a parallel pursuit.
张云龙，字耘浦，号高符居士，1968年生于北京。自幼喜爱中国传统书画与篆刻艺术，长期潜心研习中国画、书法及篆刻，尤擅写意花鸟，兼攻山水，作品注重传统笔墨精神与个人审美情趣的融合。Zhang Yunlong, courtesy name Yunpu, sobriquet Gaofu Jushi, was born in Beijing in 1968. Drawn to Chinese painting, calligraphy and seal-carving from an early age, he has devoted himself to their study for decades — chiefly xieyi (freehand-expressive) flower-and-bird painting, alongside landscape — fusing the spirit of traditional brushwork with a personal aesthetic sensibility.
1992年毕业于中国传媒大学，先后从师于娄师白、陈克永、刘西古、徐湛诸位名家，兼修写意花鸟与传统山水技法。He graduated from Communication University of China in 1992, and studied in turn under masters Lou Shibai, Chen Keyong, Liu Xigu and Xu Zhan, mastering both xieyi flower-and-bird painting and traditional landscape technique.
三十余年的绘画历程中，他潜心研究领悟历代传统绘画，更注重生活体验，从自然界中提取养分、寻找灵感，在自己构建的作品世界里安享高古宁静、惠风和畅的欢愉，并将这份精神愉悦倾注于欢畅淋漓的水墨之中，形成了深沉、博大、雄浑的画风。其书画题材新颖独特，雅俗共赏，诗情画意，格调高雅，作品多次参加画展并获奖，部分被全球各地人士收藏。Over more than three decades of painting, he has immersed himself in the study of historical Chinese painting while placing equal weight on lived experience — drawing nourishment and inspiration from the natural world, and finding within the pictorial world he builds a quiet joy of ancient stillness and gentle breeze. That inner delight is poured into ink allowed to run free, giving rise to a style at once deep, expansive and powerful. His subjects are fresh and distinctive, appealing to connoisseur and layman alike, carrying a poetic, elegant sensibility; his work has been shown and awarded at numerous exhibitions, and is now held by collectors around the world.
他以笔墨寄情，以花鸟传神，秉承中国画"外师造化、中得心源"的艺术理念，在继承传统的基础上不断探索个人语言，体现出当代中国写意花鸟画中所追求的自然之趣、文人之气与人文情怀。He entrusts his feelings to ink and brush and lets flower and bird carry spirit, upholding the classical Chinese painting ideal of "learning from nature without, finding the source within" — continually exploring a personal language on the foundation of tradition, embodying the natural charm, literati air and humanistic warmth sought in contemporary xieyi flower-and-bird painting.
- 业师Mentors先后从师于娄师白、陈克永、刘西古、徐湛Studied under Lou Shibai, Chen Keyong, Liu Xigu and Xu Zhan
- 会员Member中国艺术家协会理事、齐白石书画研究会会员、中国花鸟研究会会员、中国书画家协会会员Council Member, China Artists Association · Member, Qi Baishi Calligraphy and Painting Research Society · Member, China Flower-and-Bird Painting Research Society · Member, China Calligraphers and Painters Association
- 2015作品获荣宝斋认定并颁发收藏证书Work authenticated by Rongbaozhai, with a collection certificate issued
- 2021中国国宾礼书画评审委员会专家组授予书画艺术作品国礼证书Awarded a National Gift Certificate for his calligraphy and painting by the panel of the China National Guest Gift Calligraphy and Painting Review Committee
- 邮票Stamps作品被中国邮政总局选出并用于出版纪念邮票Work selected by China Post for publication as a commemorative stamp
- 荣誉Honour获中国德艺双馨艺术家评委会授予"德艺双馨艺术家"荣誉称号Awarded the honorary title "Artist of Virtue and Skill" by the China Committee for Artists of Virtue and Skill
艺术界评价How the Art World Sees His Work
笔墨趣味与齐派传承Brushwork & the Qi Baishi Legacy
虾与花鸟Shrimp & Flower-and-Bird张云龙在水墨虾的创作上颇有齐白石遗风，评论多认为其笔下之虾寥寥数笔却神形兼备，借宣纸与墨色的水晕效果，表现出虾体在水中的透明感与动态美，弹跳欲出，极具生命力。其写意花鸟画（如荷花、葡萄）既有传统法度，又不失现代生机，画面色彩鲜明却不落俗套，用笔老辣，将文人画的墨戏趣味与大众喜闻乐见的生动形象融合于一体。Zhang's ink-shrimp paintings carry a clear echo of Qi Baishi. Critics often note that his shrimp achieve both spirit and form in only a few strokes — the water-bloom effect of ink on xuan paper renders their translucence and motion in water so vividly they seem ready to leap off the page. His xieyi flower-and-bird works (lotus, grapes) are likewise praised for holding traditional discipline while staying full of contemporary vitality: colour that is vivid without turning gaudy, brushwork seasoned and assured, fusing the playful spirit of literati ink with imagery the broader public readily loves.
山水画的雄浑与博大The Power & Breadth of His Landscapes
得陈克永一脉指导Guided by the Chen Keyong lineage得益于陈克永等山水名家的指导，其山水画常带有北方山水雄浑、博大、沉郁之气。评论指出，他的山水画构图饱满、层次分明，善用大面积泼墨与积墨表现山石的厚重苍茫，同时以留白写云雾的流动，展现出"胸中自有丘壑"的豁达气度。Guided by landscape masters such as Chen Keyong, Zhang's landscapes often carry the powerful, expansive, brooding air of northern Chinese mountains. Critics point to compositions that are full and richly layered, built through broad splashed-ink and accumulated-ink passages that give rock and peak their weight and vastness, while emptiness is left for cloud and mist to drift through — expressing the expansive spirit of one who, as the saying goes, "holds whole mountains and valleys within his chest."
